In this section...
SURVIVING IN THE WORLD OF THE FITTER
Making the invisible visible - chronic illness and other marginalizing issues
I have worked as a symbolist artist since 1991 after some general art training in France. I was into spiritual thinking which was reflected in my work - I did in fact complete a Masters degree in Comparative Religion at the University of Helsinki, Finland. Soon after this I was granted a disability pension for life due to a spinal disorder from childhood and all the secondary symptoms that go with it. I had to switch from drawing and painting to doing collages, as my fine motor skills were no longer up to date. Having relocated to Wales in 2010, I find myself picking up the art that I was just about to give up. My husband is also an artist, and the support we can give each other makes us stronger in our identity as artists. I do find the art market very tiring and confusing nonetheless, and have had to concede that I really cannot function at the level of "normal" people. We are also struggling financially since my pension is very low and my husband has not had sufficient success. My art has always contained paradoxes, which I see as being at the very base of a dualist reality. Where there is suffering, there is usually a glimpse of hope, and vice versa. I continue to explore our emotional selves, and am becoming more and more interested in talking about chronic illness that don't always show outwards, and fatigue in particular. Realizing that this is not very interesting to a lot of people, I hope to touch upon universal feelings of vulnerability and shame. Please see more at www.vivimaricarpelan.com and my art blog www.vivi-mariandmartinart.blogspot.com.
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Affected by X (1/2)
40x40 cm
Project X, a series of images, is an attempt to make invisible illness more visible in a more obvious way than before. I'm especially concerned with fibromyalgia, ME and other illnesses that cause fatigue. The research includes images of myself and other personal photographs, copyright imagery, and occasionally some text. Please read more about it here: http://www.vivimaricarpelan.com/PROJECT-X.html or follow the process on my blog: http:www.blogspot.com/vivi-mariandmartinart.blogspot.com. You can also get updates about this on my official FB page: http://www.facebook.com/ArteDea. -
Fragmented by X (2/2)
40x40cm
Project X, a series of images, is an attempt to make invisible illness more visible in a more obvious way than before. I'm especially concerned with fibromyalgia, ME and other illnesses that cause fatigue. The research includes images of myself and other personal photographs, copyright imagery, and occasionally some text. Please read more about it here: http://www.vivimaricarpelan.com/PROJECT-X.html or follow the process on my blog: http:www.blogspot.com/vivi-mariandmartinart.blogspot.com. You can also get updates about this on my official FB page: http://www.facebook.com/ArteDea. -
Be Merry for You Won't Die
60x45 cm
Project X, a series of images, is an attempt to make invisible illness more visible in a more obvious way than before. I'm especially concerned with fibromyalgia, ME and other illnesses that cause fatigue. The research includes images of myself and other personal photographs, copyright imagery, and occasionally some text. Please read more about it here: http://www.vivimaricarpelan.com/PROJECT-X.html or follow the process on my blog: http:www.blogspot.com/vivi-mariandmartinart.blogspot.com. You can also get updates about this on my official FB page: http://www.facebook.com/ArteDea. -
Impairement by X
50x35 cm
Project X, a series of images, is an attempt to make invisible illness more visible in a more obvious way than before. I'm especially concerned with fibromyalgia, ME and other illnesses that cause fatigue. The research includes images of myself and other personal photographs, copyright imagery, and occasionally some text. Please read more about it here: http://www.vivimaricarpelan.com/PROJECT-X.html or follow the process on my blog: http:www.blogspot.com/vivi-mariandmartinart.blogspot.com. You can also get updates about this on my official FB page: http://www.facebook.com/ArteDea. -
The Impossibility of Sleeplessness and Damien Hearst Doesn't Exactly Make it Better
25x38 cm
This piece is about insomnia, which in severe cases involves constant threats of medication not working any more, while being pumped up with habit forming medication in the first place, of the subject going insane with severe cognitive and physical impairment with physical flare ups due to lack of sufficient good quality sleep, and never getting any really useful help from the medical establishment. On top of this there's the sleep schedule which always goes wrong, ie. something disturbs one's routines and tips the wagon so you end up sleeping/dozing/lying around well into the afternoon and always feeling the day goes by while you're simply useless. Managing a condition that happens when you're not looking, is like walking a tight rope, knowing you could fall any time. This piece is part of Project X. When I thought of the name including the word "impossibility" it became a reference to titles by Damien Hearst and his rather (in my mind) undeserved financial success. -
Pages From My Diary
23x31 cm, mixed media collage
The image contains emotionally laden texts about the meaning of my own life. It also speaks of the attempt to find one's centre of gravity and equilibrium when stress, ill health and the need to achieve success and recognition are constantly looming over my existence. It's a combat against entropy. -
X - Surviving in the World of the Fitter
56x75 cm
What my message really boils down to is feeling neglected and bypassed by society, but there is also a strength in being able to have an outsider's point of view. As usual, I have hoped to express a paradox or double message of suffering and alienation but also strength of character and a possible insight into the deeper layers of life. People with disabilities are not just weak individuals. Very often illness can teach them lessons of life that other people can only dream of (if they care, that is). Of course, it's a sign of a civilized society that it takes care of its weaker individuals. But our society still has a long way to go. It needs to stop bickering over power and border issues - these tend to go round in circles as that which is being destructed has to be mended. It needs to start focusing on the real needs of its members and those who are healthier and wealthier obviously need to take more responsibility for the whole. "X" stands for many things. X marks a spot - this is where the problem lies (it's invisible to the viewer so must be marked with a sign). X is an unknown denominator (in mathematics x is commonly used as the name for an independent variable or unknown value) - often when it comes to physiological problems, the causes and effects are not known or well defined and even diagnoses can be elusive. X signifies a multiplication operation - physical symptoms have a tendency of multiplying over time as one thing leads to another. X has crossed something off or out. X-rays reveal physiological disturbance invisible to the eye. X can replace the signature of someone who is illiterate - this could symbolize the inability to fit in. In some countries (such as Finland where I come from) X is commonly used instead of a tick in a box - I tick all the boxes for someone who is crossed out of society, for instance. There are also the X-files, which are not open to the general public due to their abnormal nature, and X-rated i.e. censored material which is also available only to the chosen few or those who especially choose to partake in this material. During the plagues, X's were drawn on the doors of those afflicted with it. "Shunning someone like the plague comes to mind...". But most of all, X is an abstract sign that points to a concrete phenomenon. (Please not that this explanation is copyrighted and part of an ongoing project). -
As I Walked Out This Morning it was raining
One in a series, "Beauty in the Rough". of abstract photographs symbolizing body image and issues surrounding the aesthetic values in society today. The surfaces are often of the outside of a skip or similar objects related to decay either by association or process linked with time. -
As I Looked Out the Window...
One in a series, "Beauty in the Rough". of abstract photographs symbolizing body image and issues surrounding the aesthetic values in society today. The surfaces are often of the outside of a skip or similar objects related to decay either by association or process linked with time. -
Tales of the Sea
One in a series, "Beauty in the Rough". of abstract photographs symbolizing body image and issues surrounding the aesthetic values in society today. The surfaces are often of the outside of a skip or similar objects related to decay either by association or process linked with time. -
Something Was Not Quite the Way it Used to Be...
One in a series, "Beauty in the Rough". of abstract photographs symbolizing body image and issues surrounding the aesthetic values in society today. The surfaces are often of the outside of a skip or similar objects related to decay either by association or process linked with time. -
Some Things Should Never Be Forgotten
22x31 cm, mixed media collage
There is an ambivalent emotion in this image, where the volcano stands for male aggression. When "well mannered" this force can be a positive, exciting thing in the form of mature sexuality, when it's not life affirming it becomes destructive. The tension between male and female (yin and yang) is as old as the universe and no one will escape it. -
Noli Me Tangere
22x31 cm, handmade mixed media collage
"Touch Me Not" is a biblical statement even without any religious sentiments from my part. To me, it's a forceful phrase about being apart, for better and for worse. It is about a fear of being approached in a way that will violate the vulnerable inside. -
Ephemeral Ways
60x60 cm, handmade mixed media collage with ephemera & artist's photograph
This is a story of survival about immigrants in Kansas, USA (the photo of gravestones with European names in the middle is my own), tracing the imaginary life of the woman who was an unmarried teacher and wrote stories, and lived in a now derelict house. The pieces of writing, the excerpts of written text, pieces of wallpaper, and the cheques are all real.
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